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Free Range Folk Rock

by Dashel Milligan

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1.
summer 04:19
summer i hear they finally found it barely even written in a treason-proof cave they say it's nothing alarming but it's hard to believe when they're acting so strange 'cause now their heads turn all the way around they say well now i've seen everything summer's on the way see, nothing really means anything summer's on the way we've lost our faith in the commonplace the prince is always caught smiling and reeled in cheerfully a riddle on his breath he's dreaming up a volcano where natives gather just to watch him look his best but when they tell him jump he disappears he says well these are my sacred shoes summer's on the way tradition isn't the same as truth summer's on the way it's always never too late it's always never too late she says the ancients are all around laughing and sulking in a paradox of their own he's like well why are they hiding if they love me so dearly how am i always alone she says if you stare through the fear glued to your bones you're gonna notice eventually summer's on the way there's only one kind of energy summer's on the way don't try to lie to infinity summer's on the way in the sunlight the truth will be safe in the sunlight the truth will be safe and we'll be on our way
2.
earthquake 05:03
earthquake Some people see the sky for the blue; some people only see clouds. Some say, "Alone is alone," and that's true; but, some people only feel alone in a crowd. We're talking labels. Give it a name. Nature has smiled in advance. A rose with any other thorn would taste the same-- see: it's not what you say, it's just the way that you dance. Because, it's not about the Richter Scale; it's about the Earthquake. He breathing magma, she singing ice; you gonna listen, you burn. He beg for death, she ache for life; everyone waiting his turn. He flap is tongue, she wave her hands; they both tell nothing but lies. Tectonic treadmills are plates made of sand: He talking God, she got that Devil; but, they're both gonna die. Because, it's not about the Richter Scale; it's about the Earthquake. Left of Right and Right of Left, tomato potahto, two angles on the same point of twist. She want that freedom and he say, "tomorrow;" they both do what they think is right, and we're all being tricked. We wave our arms, we lift our legs, we bob our heads to the sound. Clap of the hands, stomp of the feet; all of us getting around and around. You touch your dreams, you pay your rent; both playing fetch with your lives. You play it straight--this game is bent! You drinking hope? You silly; don't you know the Dollar decides? Why, it's not about the Richter Scale; it's about the Earthquake
3.
narcissus 03:27
narcissus a minor chords: am bm7 am/G fmaj7 F E dm7 E|-x-|-x-|-2---|-1----|-1-|-0-|-x--| A|-0-|-2-|-x---|-x----|-3-|-2-|-x--| D|-2-|-x-|-x---|-x----|-3-|-2-|-0--| G|-2-|-2-|-2---|-2----|-2-|-1-|-2--| B|-1-|-3-|-1---|-1----|-1-|-0-|-1--| E|-0-|-0-|-0---|-0----|-1-|-0-|-1--| am b7 am b7 met a mystery in my dream trying to bolt shut a door am b7 am b7 walked by like a picket line, trying not to see am b7 am b7 always out looking i don't know what for am b7 am b7 just inside the shadows something's looking at me jigsaw cut the pieces so they don't quite fit have to blur the lines to see them straight don't aim too close, you just might hit the effects of which are indiscernable from fate am/G [tell me a secret fmaj7 [tell me something i don't know am/G [surprise me fmaj7 am b7 [or is there somewhere you'd like to go? wish i were a spy, wish i had no face all eyes and ears and dark corners --i'd say things like: living this way is a rest and a race fittingly containing little of the former when the sun rises does it promise to set? how does it remember where it's going? can i walk on water before getting my feet wet? or would i live my whole life without ever knowing? [this constant silent knocking [teaching me to endure [a lifetime [picking oysters out of this pile of pearls am F E (break) am F E >a few steps more (break) am F E >through that hallway (break) dm7 (strummed once) >the sirens are listening silently am b7 >they know it draws me i picture myself playing poker with a psychic who keeps raising and raising the bet and i don't know yet but i've got these suspicions they keep bringing me visions leading me into this prison deeper than my ears can listen [and it's an ordinary thing [shifting gears suddenly [it wasn't anything to me [just someone else's sulking dream [i'm mostly free [as a ghost can be >a few steps more >through that hallway >the sirens are listening silently >but they don't hear me
4.
jenny 04:20
jenny Listen to the track and the way Joe strums with the volume down and then fades it up to make a warm-pad effect. Use it as inspiration and then do whatever you want, but try to match the mood of the piece. chords: F13 Cmaj7 e G G/F# G/E Cmaj7(2) E|----|------|---|-3-|-2---|-0--|---------| A|----|-3----|---|---|-----|----|-3-------| D|-3--|------|-2-|---|-----|----|---------| G|-0--|-0----|-0-|-0-|-0---|-0--|-0-------| B|-0--|-0----|-0-|-0-|-0---|-0--|-0-------| E|-0--|-0----|-0-|-3-|-3---|-3--|-3-------| verse: |F13 |Cmaj7 |F13 |Cmaj7 |F13 |Cmaj7 |e | >chorus: |G G/F#|G/E |G G/F#|G/E |G G/F#|G/E |Cmaj7(2)|e | F13 Cmaj7 F13 went to the mall today Cmaj7 F13 little piece of earth covered in tattoos Cmaj7 everything here comes along with a 30-day guarantee e you've got nothing to lose little specialty stores everywhere any fancy vice or yearning served samples are free but quality costs twice as much it's a natural curve >jenny sits next to me in the food court >she says look around you know you might just see god >plenty of idols or anyway what's the difference >i smile & nod walked through the parking lot seems like everyone now drives an SUV i guess after hauling a few dozen things it just pays for itself we'll wait and see why do we seize these energies for feeding brief amenities when we could be freeing the earth from the scourges of starvation and disease >jenny thinks it's a fascinating thing >that smooth line next to nothingness >clean cut edges of finished carpentry we model after our deaths animals gather around trash cans searching for food in mangled, processed meats a squirrel drags a chewed up taco wrapper out & lays it at my feet we're the only ones doing this we're the only ones acting like we're kings letting a knowledge born from years of nature's love destroy that very thing (trail off end with e)
5.
swimming 05:31
swimming i know this tyrant recognize the silhouette i know this silence and i've not even heard it yet sing me that love song the one you used the first time my energy's almost gone nothing rhymes anymore and all along you've been fine where are those shackles i used to make you wear come now don't be so bashful one more time let me see that i'm not listening stare cause i know you want me to go swimming your cup is just brimming it runneth over you say your game is so thrilling i even feel willing but your meals are filling only for today you say come with me so sweetly i believe you relieve me of my better judgement and lead me into this dungeon i know your best lines and i love every one let them cover me with red lines it's best if i'm alone even losing sometimes i can feel like i've won when i'm done, when this madness passes my thoughts clamber around solving this crime i have nothing to prove you were stirring this mood but some half-written notes in the back of my mind but if i sing then my mind becomes stronger my skin becomes armor and i become lead i breathe in and jump into this water where the world's so much smaller i can scream all the things i haven't said death is shaped like an inkspot it only gets one shot when we lose our breath 'til then we run with our own thoughts right up till our souls stop we're lying in bed and then one day the dream ends but those thoughts can't stop me, no 'cause i know the shortcuts i've run this race before in some other lifetime i'll revise and revise and revise and go back and rewrite with the right lines oh these guidelines are a simple kind of nonsense they always stay the same and they are not my calling 'cause all these senseless sensibilities lack irrational stability and i can see them falling there's too much time and you are not an adversary you are not an adversary you are not my enemy when will we meet you're allways incomplete i only see you when i dream in my mind's eye i picture you soaring my life's not so boring compartmentalized i rise up smiling living's not beguiling when i've given up relying on these trivial eyes i walk in the noon breeze it whispers and soothes me it doesn't need proving and i am so small i stall at the entrance this hesitation's endless my thoughts are relentless they won't let me fall no no they won't let me fall let let these let these in let these injustices slide i know the truth is buried i know the truth's buried just inside later in a brief intermission i go over my visions and see them condemned i tend to disagree why can't they just be leave and let us see you must be a friend
6.
home 03:55
my baby walks a kaleidescope of points of view each one in turn her eyes they carve the deepest grooves before she brings me home my baby flirts with a strange roulette, plays games that haven't happened yet her cheeks are rose, her breath rosette before she brings me home she walks where my secret haunt is nobody else could find the road makes me realize we've just been born, and we're endless old my baby tells me everything except what's really happening that way i know just what she thinks and then she brings me home my baby takes me in her eyes and makes me stay my simple size she knows when i've been spinning lies, but she just brings me home my baby shakes up her own rules, five fingered smirks she plays the fool most people don't even notice they're in school this classroom is our home my baby sings to me in the morning two good reasons not to go on endless errands of the modern mind always putting on a show my baby shows me through this game from nine to five, past death, through flame gave me her life and let me do the same we make each moment home my baby paints me beautiful she runs her fingers through my soul she knows men are not what they're told and so she brings me home and so she brings me home
7.
mantra (free) 07:24
When the fever of sleepwalking with no pillow wakes you up to stare the ceiling to the sky, if your mind begins to wonder if you still know: think of me, my love. Think of me, my love. Call to me, I will hold vigil by your side. If you sit at crimson sunset in your green dress and blue mountains of the details grow so tall that the animal in your pink heart is speechless: think of me, my love; our lavender stream, my love. We are a dream so large we're every color small. If you're walking in an apron selling white lies, serving shells of empty guesses one by one until it seems you've lost your dreams under your lifetime: wait for me, my love-- patiently, my love; I believe we'll dig them up before we're done. If you're drinking from a crystal filled with regret and your eyes fill up with water filled with salt, 'cause you're swallowing a rat to catch your secrets: drink with me, my love. Wash them free, my love. Then, let them be; they are your troubles, not your fault. These woods are many narrow trails to follow. We'll lose sight of each other. When we do: if green leaves before the stars leave you to dream alone: dream of me, my love. Feel for me, my love. Turn to me, I'm on the other side of You. If I'm standing on the door side of the far way, if I'm singing and beckoning to you, when you're scratching for the strength to make your heart stay: sing for me, my love. Sing with me, my love. Sing we'll see; finding this song's what got me through.
8.
just now 05:53

about

This is the quintessential Dashel introductory collection. With a library of relatively unknown music and new tracks and recordings to release, I compiled Free Range Folk Rock. This album draws three tracks from previous albums and colors them in with three new recordings of old songs and frames it all against two brand new recordings, one of which contains words which have, heretofore, never been uttered by anyone, anywhere, ever (ostensibly) previous performances of song excepted. All rights reserved. See your doctor for actuary details.

credits

released September 27, 2012

Album art "Dashel" by Ariel Millihart, Acrylic on canvas, 2011
www.airyfairyart.com

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Dashel Milligan Spokane, Washington

makes music, chomps.

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